Discussion of an unpublished pax of the Entombment by Galeazzo Mondella, called Moderno, at the Parish Church of San Giuliano in Bologna and a reconsideration of Milanese influences in Moderno’s career.
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A Medici Bust at the Walters?
A bronze bust at the Walters Art Museum, thought to be an all’antica representation of an emperor, may instead be the portrait of a Medici family member.
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In the Shadow of Permoser
Ideas concerning several small sculptures, possibly by unsung, yet impressively talented German sculptors operating in the ambit of Balthasar Permoser.
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The Paxes of Giovanni Battista Panzeri and his workshop
A survey on rare damascened steel or iron plaquettes for use on paxes. This article is part of a larger future project that will study the art, architecture, function and history of paxes.
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The Thief of Michelangelo – Models Preserved in Bronze and Terracotta
New observations and ideas concerning the use and proliferation of Michelangelo’s models of crucified “thieves.”
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Michele di Giovanni da Fiesole and the origins of the Florentine plaquette
Two of the earliest Renaissance plaquettes, long associated with Donatello and his school, are probably the work of Michele di Giovanni da Fiesole.
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The identity of Nuremberg’s Gänsemännchenbrunnen or Geeseman Fountain
Identifying the person and purpose for one of Germany’s most famous Renaissance bronzes: the Gänsemännchen brunnen or Geeseman Fountain.
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Pietro Torrigiani – Discovery of a St. Anthony in Wood
A sculpture of St. Anthony may be the first work in wood to be identified with Pietro Torrigiani, made famous for his brawl with Michelangelo and for spreading the Cinquecento style of Italian art throughout Europe.
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The Earliest German Medal? Peter Vischer der Ältere’s Memorial Medaille to his first wife Margaretha
A unique and modest medal depicting the bust of a German woman, dated 1490, could be the earliest medal made in Germany, depicting the first wife of the famed Nuremberg brass-worker, Peter Vischer the Elder.
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An Adoration and Lamentation of Iberian-Italian origin
New ideas concerning two popular bronze reliefs of the 16th century, often incorrectly cataloged as the work of Gian Federico Bonzagna, instead suggested as Milanese works inspired by Iberian-Italian modalities.
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