A BRONZE CHRIST ATTRIBUTED TO MICHELANGELO [by Michael Riddick w/ assistance from the object’s owner, Mr. Fenyo] DOWNLOAD >>> PDF VERSION <<< at Academia.edu INTRODUCTION In the early 1930s an academic art collector in Spain, Manuel Gomez-Moreno Martinez, published two brief articles attributing a silver corpus (see Fig. 80) in his collection to the hand of Michelangelo. The articles were published in Spain’s prestigious Arte y Arqueologia journal.[1] In 1937 Gomez-Moreno’s articles were referenced by the MET’s Curator Emeritus of […]
Categories: Artist, c. 1501-1550 AD, Italy, Michelangelo Buonarroti • Tags: 16th century, Bastiano Torrigiani, Benedetto Varchi, Beneficio di Cristo, bozzetti, brass, bronze, bronze casting, Caja de Ahorros de Segovia, Castrotierra de la Valdurena, Catedral Cordoba, Catedral Valladolid, Cathedral Astorga, Certosa Padula, christ, Colegio del Patriarca de Valencia, corpora, corpus, crocifisso, cross, Crucifix, Crucifixion, cruz, Cuenca Cathedral, Diego Velazquez, Francisco Pacheco, Giacomo del Duca, Gomez-Moreno Museo, Granada Catedral, Guglielmo della Porta, Iglesia de San Antolin Tordesillas, Jacopo del Duca, Jeronima, jesus, Juan Bautista Franconio, Juan Martinez Montanes, Juan Valdes, letters, Ludovico del Duca, Marcantonio Flamino, Marchesa di Pescara, metropolitan museum of art, Michelangelo, Michelangelo Buonarroti, Miguel Angel, Museo de los Caminos Astorga, Pablo Cespedes, Padula tabernacle, Palacio de Oriente de Madrid, Palacio Ducal de Gandia, Passion of Christ, poems, poetry, polychromy, Reformation, Reginald Pole, renaissance, Santa Maria de Guadalupe Monastery, Sebastiano Torrigiani, Sevilla Catedral, Seville Cathedral, silver, sonnets, Spirituali, Vittoria Colonna
