New observations and ideas concerning the use and proliferation of Michelangelo’s models of crucified “thieves.”
Identifying the person and purpose for one of Germany’s most famous Renaissance bronzes: the Gänsemännchen brunnen or Geeseman Fountain.
Supplementary essay for an exhibition of plaquettes at the Villa Cagnola library: Il fascino dell’antico nelle placchette in bronzo della Collezione Cagnola (October 2017)
Proposed is an identity for the elusive plaquette maker dubbed Pseudo-Fra Antonio da Brescia. Also suggested is the possibility a plaquette may have been inspired by Albrecht Durer’s visit to Bologna in 1506-07.
An exceptional pax featuring a Madonna and Child group here attributed to Maso di Bartolomeo after a design by Luca della Robbia. A discussion on the early typology for architecturally inspired pax frames is also explored.