Wilhelm von Bode’s spirit of acquisition in turn-of-the-century Berlin would result in forming a significant and comprehensive collection of Donatelloesque plaquettes, here explored for their function and influence in the genesis of plaquettes as a genre of sculpture.
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Two of the earliest Renaissance plaquettes, long associated with Donatello and his school, are probably the work of Michele di Giovanni da Fiesole.
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An exceptional pax featuring a Madonna and Child group here attributed to Maso di Bartolomeo after a design by Luca della Robbia. A discussion on the early typology for architecturally inspired pax frames is also explored.
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Renaissance Bronze 