The emergence of Italian plaquettes in France and their use by the enamelers of Limoges, especially Jean Penicaud II and the Master KIP.
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The Paxes and Reliefs of Antonio Gentili da Faenza
An examination of Antonio Gentili’s reworking of Guglielmo della Porta’s models and proposed attributions for several reliefs and paxes.
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Reconstituting a Crucifix by Guglielmo della Porta and his Colleagues
A crucifix model currently attributed to Giambologna should instead be reconstituted as a work by Guglielmo della Porta and his circle of collaborators.
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A Group of Gold Repoussé Reliefs attributable to Cesare Targone
A series of impressive gold reliefs currently associated with Antonio Gentili da Faenza are instead suggested as the work of Cesare Targone.
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A Renowned Pieta by Jacob Cornelis Cobaert
The most popular devotional image of Christ, ca. 1600, here attributed to Jacob Cornelis Cobaert after a design by Guglielmo della Porta.
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The Dictator Julius Caesar
Riddick collection No. 12 – Summary of a rarely discussed and uncataloged plaquette bust of Caesar probably cast after a Renaissance or Baroque gem.
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Michelangelo’s Pieta in Bronze
A popular pax after Michelangelo’s Pieta for Vittoria Colonna and a Deposition pax are here suggested as the product of Ludovico and/or Jacopo del Duca while a later variant of Michelangelo’s Pieta, formed as a pax, is given to a Venetian workshop active in the first part of the 17th century.
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