A previously unattributed work from a collection of waxes can now be associated as a work attributable to the Neapolitan wax-modeler, Caterina de Julianis, the protege of Gaetano Giulio Zumbo.
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Glyptics, Italian Plaquettes in France and their Reproduction in Enamel
The emergence of Italian plaquettes in France and their use by the enamelers of Limoges, especially Jean Penicaud II and the Master KIP.
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The Paxes and Reliefs of Antonio Gentili da Faenza
An examination of Antonio Gentili’s reworking of Guglielmo della Porta’s models and proposed attributions for several reliefs and paxes.
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An overlooked ‘Christ the Redeemer’ in the ambit of Bartolomeo Bellano
Exploring an undiscussed and unique plaquette in the Louvre collections…its identity, function and possible maker.
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Bernardi or Wallbaum?
Discussing a plaquette relief popularly attributed to the Italian gem engraver, Giovanni Bernardi, but herewith correctly attributed to Matthaus Wallbaum.
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A selection of plaquettes from the Villa Cagnola: Their Function and Meaning
Supplementary essay for an exhibition of plaquettes at the Villa Cagnola library: Il fascino dell’antico nelle placchette in bronzo della Collezione Cagnola (October 2017)
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El Greco’s Roman Period and the Influence of Guglielmo della Porta
A survey of Guglielmo della Porta’s influence on the artistic personality of El Greco. Also suggested is the possibility El Greco could have worked for Guglielmo providing miniatures for use in the production of altar crosses and tabernacles during the painter’s enigmatic Roman period.
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Reconstituting a Crucifix by Guglielmo della Porta and his Colleagues
A crucifix model currently attributed to Giambologna should instead be reconstituted as a work by Guglielmo della Porta and his circle of collaborators.
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A Group of Gold Repoussé Reliefs attributable to Cesare Targone
A series of impressive gold reliefs currently associated with Antonio Gentili da Faenza are instead suggested as the work of Cesare Targone.
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A Renowned Pieta by Jacob Cornelis Cobaert
The most popular devotional image of Christ, ca. 1600, here attributed to Jacob Cornelis Cobaert after a design by Guglielmo della Porta.
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Renaissance Bronze 